“Ballet and Opera Aren’t Dead - They’re Just Well Dressed”
Despite what Timothee Chalamet might say
The Art in the Details With J.W. Anderson
(Yes, I’m talking about JW Anderson again, whatever.)
The Underground Network: The Mycelium is Keeping the Planet Alive, And We’re KillING It.
Essentially, just me crying over mushrooms. Read at your own risk, as there is a lot of emotion. Also, this is not supposed to be that informative.
Decluttering, feng shui, and the art of letting go
The case against clutter (and for sanity)
The Ghost on the Moors: Why the 2026 Wuthering Heights Film Was So Controversial
and why casting Jacob Elordi as Heathcliff sparked a cultural reckoning
Is abrahamic heaven a communist utopia?
On Clouds, Communes and the Human Hunger for Perfect Worlds
- Is this why everyone says it would work in theory and not in practice?
Fashion predictions for the year of the horse
All things fashion, trends and astrology for the year of 2026
A look through the ages: jane birkin and the birkin paradox
The woman who made ‘effortless’ iconic and accidentally created the world’s most exclusive handbag.
Jane Birkin remains one of the most enduring fashion icons of the late twentieth century, not because of grand couture moments or carefully constructed public images, but because of her consistent embodiment of authenticity, simplicity, and natural elegance. Actress, singer, and cultural muse, Birkin’s influence on fashion extended far beyond her career in film and music. Through her personal style, she helped reshape ideals of femininity, beauty, and everyday dressing, promoting an aesthetic rooted in comfort, functionality, and understated sensuality. Her legacy continues to inform contemporary fashion, particularly in the ongoing fascination with minimalist wardrobes and the concept of effortless style
AI is killing our planet and our ability to think - Let’s talk about it
“Hey Chat GPT, Here’s all of my personal info, pls plan out my entire day and life and how I should respond to this person, also, why do I feel like I’m getting dumber?”
You all stress me out.
Climate Justice, Diplomacy, and the Politics of Comoros - In Conversation with Meriam Mravili
At just 27 years old, Meriam Mravili represents a new generation of international lawyers shaping global policy from both the negotiating table and the field. Born in Tunisia and half Comorian, Mravili currently works as a Policy Analyst with the United Nations Development Programme (UNDP) in Sierra Leone, where she provides legal and policy support across a wide portfolio that includes social development, youth employment, women’s empowerment, governance, economic growth, and climate vulnerability.
Her career trajectory reflects both intention and adaptability. “One day I am in a meeting with stakeholders like the World Bank or the Ministry of Justice, the next day I am drafting policy briefs on the human rights situation in the country,” she explains. While broad in scope, her work is deeply rooted in impact - supporting governments directly and translating international norms into national policy.
The panopticon: what it is, and how it can affect our society (or already does)
To sum up, we’re constantly being watched, and Shabana Mahmoud wants to make it worse with AI. yay
The Politics of Passion in a Culture Built on Management and Metrics
Passion is the most subversive thing left because it insists on being lived rather than explained. It resists translation into slogans, metrics, or marketable positions. It cannot be neatly packaged into an opinion or optimised for circulation. Passion does not argue for itself; it appears. And in doing so, it exposes the person who carries it.
Phenomenologically, passion is not something one possesses. It is something one undergoes. It takes hold of attention, reorganises time, alters the texture of experience. When we are passionate, the world sharpens and distorts simultaneously. Hours collapse. Priorities rearrange themselves without consultation. In this sense, passion refuses abstraction. It demands presence, not as mindfulness rhetoric, but as embodied risk.
The Fear of being seen has killed so many artists
This generation has been afforded unprecedented social mobility, access, and visibility. We see everything now: every reference, every influence, every conversation and, more often than not, every critique.
2026 and not giving a f*ck - A cultural shift contextualised
In the early moments of 2026, a clear aesthetic and cultural shift has started to emerge. What appears on the surface as a stylistic turn is, in fact, deeply political.